LOU

I WENT TO SLEEP

"I Woke Up in a Fucked-Up America" from 'MITH' by Lonnie Holley out 9/21 on Jagjaguwar Stream & preorder now - https://lonnieholley.ffm.to/mith Directed by Matt Arnett and Ethan Payne Produced by Matt Arnett and Lonnie Holley Shot and Edited by Ethan Payne Additional camera by Lee Garmon Song performed by

WHERE DO YOU PLAY?

"Written in tight script on one of those green-and-white guest check pads, her words account a surrealist barnyard: 'gecko elastic, cookie armpit, giraffe crotch, zebra elastic.' I had noticed Rachael working on the far end of the bar, pulling costumes from cubbies and then carefully refolding and restacking each one.

WHAT IS FAMILY?

Directed by Ethan Payne and Asher Payne Featuring Josh Castles, Opa and Opa Higerd Special Thanks Jed Castles, Kelsey Curran, and Lee Garmon "Son" written and performed by Deep State From the album The Path To Fast Oblivion https://deepstate.bandcamp.com/album/the-path-to-fast-oblivion Available 02.01.19 on Friendship Fever www.friendshipfever.com

HOW DO YOU MAKE A RECORD?

http://www.kindercore.com/vinyl/ http://www.fulfillmentmerch.com/ https://kmfdm.fulfillmentmerch.com/ http://ethanpayne.com

WHERE IS HOME?

"When I moved to Mississippi in 1995, I became a quick regular at Bottletree Bakery, just off the square, across from the church that my family would subsequently join. At that low counter, with a thick china mug in hand, I ate scones pocked with crystallized nuggets of ginger and pored over grad school texts.

WHERE IS FOOD AUTHENTIC?

"Joints and shacks offer witness to the environments where design and operation incongruities . . . often bespeak honesty. The creative responses of that grocery store manager and that breakfast joint operator confirm that humans are at the helm in such spaces, singular and complicated souls capable of responding to circumstance and necessity with brilliance."

IS DIXIE OK?

Uploaded by oxfordamerican on 2018-08-14.

TUNDE PROVOKES

"I do this to investigate complicity and interrogate white supremacy," Tunde Wey said on a Monday night in October, standing on a chair before a dinner crowd of fifty-plus at Second Line, a midtown Memphis po-boy shop decorated with pictures of New Orleans brass bands. He emigrated from Nigeria to the U.S.